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The Corona Camera can be used instead of the native 3ds Max cameras (Free, Target, Physical), and should be used instead of the obsolete CoronaCameraMod modifier.

It can be added from the Command Panel > Cameras > Standard menu, and it features all the photographic controls that can be found in a native 3ds Max Physical Camera, plus all the Corona-specific post-processing, panorama, VR, and other options.

Targeted – Makes the Corona Camera targeted.

Horizon line – Enables/disables Horizon line.

Focal plane in camera view – Makes the camera focal plane visible in camera view.

Target distance – Defines the distance from the camera to the target.

Icon Size – The size of the camera origin icon in the viewport, relative to the default size (1.0).

Show cone:

Always – Always shows the camera cone.
Never – Never shows the camera cone.
When selected – Shows the camera cone only when camere is seleceted.

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Sensor and lens

Field of view – Horizontal perspective FOV in degrees.

Focal l. mm – The distance between the lens and the image sensor when the subject is in focus.

Film width mm. – Affects the amount of the depth of field effect. Increasing this value increases the depth of field effect size. This is useful for matching other parameters and output to various real-world cameras. Typical values are 36mm for a full-frame digital SLR and 25.1mm for an APS-C digital SLR.

Zoom factor – Zooms in the view without changing the Filed of View or Focal Length. Higher zoom values result in a stronger Depth of Field. This is useful when matching real-world camera footage.

ISO – Affects image exposure when photographic exposure is turned on. Increasing this value increases exposure and vice versa. Standard values used in photography are: 50, 100, 200, 400, 800, 1600, 3200.

F-stop – Affects the depth of field effect and image exposure (when using photographic exposure). Decreasing this value increases the exposure and the depth of field effect amount, and vice versa. Standard values used in photography are: 0.7, 1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, 32.

Shutter

Shutter speed – Affects the image exposure (when using photographic exposure) and length of the motion blur effect. The input value is reciprocal to the result, so to set the shutter speed to 1/125 s, input 125. Longer exposure times increase exposure and motion blur length, and vice versa. Standard values used in photography are: 1, 1/2, 1/8, 1/15, 1/25, 1/30, 1/50, 1/60, 1/125, 1/150, 1/250, 1/500, 1/1000.

Shutter angle – A different way to express the shutter speed, using the movie camera convention of rotary disc shutter angle. The value is an angle out of 360-degree range, for which the shutter stays open. This means that for example, a value of 180 degrees means the shutter is open for half a frame (which is 1/50 s for 25 fps).

Mblur duration – A different way to express the shutter speed, using multiples of the current frame rate (fps). For example, a value of 0.5 means the shutter is open for half a frame (which is 1/50 s for 25 fps).

Shutter offset – Offsets the time interval from which the motion blur effect is generated. The value is defined in frames, with 0 meaning that the center of the interval is exactly in the current frame, -1 meaning that the entire interval happens just before the current frame, and 1 meaning the entire interval happens just after the current frame.

Object visibility

Enable include/exclude list – If enabled, only nodes specified by include/exclude list are visible when rendering using the selected camera.

Use Camera scene environment – Controls the override of the global illumination from the camera. When Enabled, the color/map below this control will be used as override. When Disabled, the override will be disabled.

Direct Override – Controls override of the environment map visible directly from the camera.
Reflect Override – Controls override of the environment map visible in reflections.
Refract Override – Controls override of the environment map visible in refractions.
Global Volume Override - Enables global volume override for this camera.

Automatic vertical tilt – Automatically sets the Vertical Tilt parameter to keep vertical lines straight and unaffected by perspective when the camera is looking up or down.

Type – Projection type of the camera: orthographic, perspective, spherical 360°, cylindrical 360°, cube map 360°, fisheye.

Vertical FOV [°] – Defines the degree of vertical field of view.

Ortho view size – Width of the orthogonal camera field of view in world units.

Ortho view in infinity – If set to true, the camera is considered to have originated in infinity. This means that all objects that fit in the camera's field of view will be visible no matter if they are behind or in front of the camera.

Fisheye

Field of view [°] – Field of view of the fisheye camera, captured by image circle.

Limit render to FOV – If true, all pixels outside of the selected field of view are rendered as black.

Projection – Specifies a projection of the fisheye camera:

Equidistant – Does not stretch objects in radial axis (along the line from image center to its edge). Most typical fisheye lens type.
Equi-solid angle – An object moving from the center of the camera to the edge gets distorted but maintains the same area in the renderer image.
Orthographic – Better preserves the center of the image at a cost of more distorting its edges. Typical door peephole lens.
Stereographic – Objects retain their general shape even near the edge of the image.

Cropping – Determines what part of the image circle is captured in the rendered image.

Virtual reality (stereo) – If enabled, two images (for left/right eyes) are rendered at the same time in the space of the selected render resolution. The resulting image can be loaded into the Samsung Gear VR or other virtual reality gadgets.

Eye separation – Thedistance between the left and right eye.

Eye front offset – The distance the eyes are shifted forward from the vertical axis rotation. There is usually no need to change this parameter.

Converge eyes – If on, the eye directions meet at some finite distance (as if they were looking at an object in that distance). If off, the eyes are perfectly parallel. The distance at which the eyes converge (where the center lines of their direction of view meet). This should be the average distance to walls in the scene. When in doubt, prefer larger values to smaller as they usually work better.

Cubic Account – Uses negative values to create a pincushion distortion (image center is ''zoomed out'') and positive values to create a barrel distortion (image center is ''zoomed in''). The default value of 0 produces no distortion.

Texture – Allows loading a map for distortion.

Camera clipping

Enable – Enables camera clipping - only objects between the minimum and maximum distance are visible when looking through the camera both in the viewport and in rendering.

Show in viewport – Shows the clipping frame in the viewport.

Near – Only surfaces beyond this distance are visible through the camera.

Far – Only surfaces closer than this distance are visible through the camera

Environment Ranges

Show in viewport – Shows the environment range in the viewport.

Near/Far – Controls the eds Max Environment range. This is used for example by the 3ds Max native Fog effect and to set Z-Depth to render element range.

Camera physical size

Show in viewport – shows camera phisical size in viewport.

Size – Determines the physical size of the camera lenses. With the default value of 0, the camera will always either be competely inside a medium or competely outside of it. In order to render image which is partly in a medium and partly outside of it (e.g. an image that shows both above water and under water parts of the scene), you must set the physical size in such a way that a box of this size centered in the camera origin overlaps the boundary of the medium (e.g. the surface of the water). This imaginary box can also be seen as an objects with a slicer material that removes the part of the medium surrounding the camera.

The camera is below the water surface:

The camera is placed on the water surface:

When rendering outside of the Corona Camera (e.g. from a free perspective view):

When rendering from a Corona Camera:

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The Corona VFB offers Save and Load options, which can be used to save and load tone mapping and post-processing settings using the special CONF file format. Starting from Corona Renderer 4, those settings can be freely exchanged between the Corona VFB and the Corona Camera. This allows, for example, for:

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The Corona VFB's Post tab features various tone mapping and post-processing options, and the possibility to save and load them. 

After clicking the Save button, you can save your custom preset as a CONF file. 

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You can then load the CONF file into a Corona Camera (and vice versa).

If the CONF file is loaded into the Corona Camera, and the Override checkboxes are enabled in that Corona Camera (to override the VFB settings), you will see that our custom post-processing preset is now used for the rendered image. So first we set up our desired post-processing in the VFB, then we saved them as a CONF file, and then loaded that CONF file into the Corona Camera.

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If you render a non-camera view (in this case a free perspective view), only the settings available in the VFB Post tab are considered. Once you render from the Corona Camera again, the CONF settings loaded in that Corona Camera will be used again.

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