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Corona 12 introduces the new Virtual Frame Buffer (VFB) 2.0 with an updated interface that has been tuned to the most common needs of artists and can provide a very decent post-production experience and results.

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The Corona VFB 2.0 is only available starting from Corona 12; older Corona versions use the legacy Corona VFB.

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Starting from Corona 12, the VFB 2.0 is the default Virtual Frame Buffer. If you want to switch to the old Corona VFB, you can do it by going to Render Setup > System > System Settings > VFB Settings and selecting Corona VFB.

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Corona VFB (Virtual Frame Buffer) 2.0.

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ButtonDescription

Saves currently displayed image to a selected file.

Press and hold the vertical bar icon:

Save – Saves currently displayed image to a selected file.

Save allSaves each render element as a separate file using a specified file format.

Save CXRStores all the information from the VFB (all render elements, including the LightMix, tone mapping, denoising data, etc.) inside a single CXR file.

Copies the VFB content to the host app frame buffer.

Copies currently displayed image into clipboard.

Erases currently displayed image.

Activates mode for editing the render regions.

Press and hold thevertical baricon:

Disable All – Disables all selected regions.
Delete all – Removes all selected regions.

Activates pick mode for selecting objects and setting of camera focus point.

Hides/shows tools sidebar.

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Start IRStartsInteractive Rendering.

Stops current rendering, but applying postprocessing effects.

Press and hold thevertical baricon:

This is the same as the 3ds Max Stop and Cancel buttons in the 3ds Max rendering dialog - whendenoisingis enabled, pressing the Stop button stops the rendering process and proceeds to denoising.
However,Cancelbutton stops render and discards denoising or post-rendering actions as well as skips saving output files (if were set up).

Starts production rendering.

Press and hold thevertical baricon:

Render – Starts production rendering.
Start IR–StartsInteractive Rendering.
Resume lastLast – Resumes last render.
Resume fileFile – Resumes rendering based on a previously saved CXR file.

Selects currently displayed render elements.

Displays the current zoom percentage of the image.

Click on the 100% button:

Zoom in – Zooms the image in.
Zoom out – Zooms the image out.
Zoom to 50% – Zooms the image to 50%.
Zoom to 100% – Zooms the image to 100%.
Zoom to 200% – Zooms the image to 200%/
Lock IR resolution – When enabled, the IR resolution will not change resolution during resizing of VFB window, or when restarting rendering. 

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You can also use keyboard shortcuts to control zoom level:

  • Zoom in: CTRL and +
  • Zoom out: CTRL and -
  • Zoom to 100%: CTRL and 0

Post Tab

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Tone Mapping

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Saves current postprocessing settings into a file.Loads postprocessing settings from specified file .
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Auto Adjustments

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Exposure– Calculates optimal exposure based on rendered values without tone mapping. To see what exposure values is generated, remove exposure operator(s) in tone mapping and bake auto exposure into tone mapping.

White Balance– Calculates optimal white balance based on rendered values without tone mapping. Bake to see the generated value.

Update during animation– If enabled, auto adjustments are calculated for each frame of sequence rendering. When disabled, auto adjustments are calculated only for the first frame of the sequence and stay unchanged

The Tone Mapping rollout lists the currentlyaddedTone Mapping Operators. By default, it includes the following operators:
  • Simple Exposure
  • White Balance
  • Green-Magenta Tint
  • Contrast
  • Saturation
  • ACES OT

"+" button– Displays the list of all available Tone Mapping Operators and allows to add one.Reset button– Resets the current Tone Mapping Operators stack to the default configuration.Presets button – Displays the list of built-in tone mapping presets.

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Bloom and Glare

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Tone Mapping

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The Tone Mapping rollout lists the currentlyaddedTone Mapping Operators. By default, it includes the following operators:

  • Simple Exposure
  • White Balance

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    Starting from Corona 12 Update 1, the White Balance operator has been deprecated and is now called "Legacy White Balance." The new White Balance operator uses Bradford's chromatic adaptation formula, which makes it more accurate and in-line with industry standard.

  • Green-Magenta Tint
  • Contrast
  • Saturation
  • ACES OT

"+" button– Displays the list of all available Tone Mapping Operators and allows to add one.

Reset button– Resets the current Tone Mapping Operators stack to the default configuration.

Presets button– Displays the list of built-in tone mapping presets.


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Compute After Render – Determines if bloom and glare will be computed during rendering or at the end of it.

Size Increases/decreases bloom and glare size.

Bloom Intensity Increases/decreases bloom intensity.

Glare Intensity Increases/decreases glare intensity.

Threshold Controls the minimum brightness which is considered for the Bloom and Glare effect. Increasing the threshold applies Bloom and Glare only to the brighter pixels. Reducing it allows the Bloom and Glare effect to be applied to pixels that are less bright.

Color Intensity Controls how saturated the Bloom and Glare effect is. Higher values mean higher saturation.

Color Shift Changes the hue of the coloring added to the Bloom and Glare effect.

Streak Count Defines the number of streaks for the glare effect.

Rotation Rotation of the glare effect in degrees.

Streak Blur – Decides whether the glare streaks should be sharper or more blurry.

Custom Aperture Launches an editor which can be used to fine-tune advanced Bloom and Glare options.

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Sides – Sets the number of aperture blades used for custom aperture. When disabled, the circular aperture is used instead.

Rotation – Rotation in bladed aperture in degrees.
Streak Blur – Controls the blurring of glare streak perpendicular to the streak direction.

Occlusion – Enables occlusion of part of aperture shape.

Ratio – Controls ration of aperture being occluded, with the minimum value meaning no occlusion and the maximum value meaning full occlusion.
Rotation – Controls the rotation of the occlusion in the degrees.
Arc – The arc of occlusion with the minimum value being straight line and the maximum value being full arc.

Symmetric – When enabled, occlusion is applied symmetrically from both sides of the aperture.

Reset all – Resets the setting to default value.

Peripheral Grating – Enables grating along the sides of aperture shape.

Lens Scratches – Simulates scratches over the lens. Regular scratches can create additional glare effect, while irregular ones will effect shape and blur of existing glare effect.

Lens Dust – Simulates dust particles over the lens. Dust can create effect similar to bloom that is affected by overall pattern of generated particles.

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Sharpening/Blurring

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Blur radius  Defines the radius of blur.

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Denoising

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Bloom and Glare

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Compute After Render – Determines if bloom and glare will be computed during rendering or at the end of it.

Size Increases/decreases bloom and glare size.

Bloom Intensity Increases/decreases bloom intensity.

Glare Intensity Increases/decreases glare intensity.

Threshold Controls the minimum brightness which is considered for the Bloom and Glare effect. Increasing the threshold applies Bloom and Glare only to the brighter pixels. Reducing it allows the Bloom and Glare effect to be applied to pixels that are less bright.

Color Intensity Controls how saturated the Bloom and Glare effect is. Higher values mean higher saturation.

Color Shift Changes the hue of the coloring added to the Bloom and Glare effect.

Streak Count Defines the number of streaks for the glare effect.

Rotation Rotation of the glare effect in degrees.

Streak Blur – Decides whether the glare streaks should be sharper or more blurry.

Custom Aperture Launches an editor which can be used to fine-tune advanced Bloom and Glare options.

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Sides – Sets the number of aperture blades used for custom aperture. When disabled, the circular aperture is used instead.

Rotation – Rotation in bladed aperture in degrees.
Streak Blur – Controls the blurring of glare streak perpendicular to the streak direction.

Occlusion – Enables occlusion of part of aperture shape.

Ratio – Controls ration of aperture being occluded, with the minimum value meaning no occlusion and the maximum value meaning full occlusion.
Rotation – Controls the rotation of the occlusion in the degrees.
Arc – The arc of occlusion with the minimum value being straight line and the maximum value being full arc.

Symmetric – When enabled, occlusion is applied symmetrically from both sides of the aperture.

Reset all – Resets the setting to default value.


Peripheral Grating – Enables grating along the sides of aperture shape.

Lens Scratches – Simulates scratches over the lens. Regular scratches can create additional glare effect, while irregular ones will effect shape and blur of existing glare effect.

Lens Dust – Simulates dust particles over the lens. Dust can create effect similar to bloom that is affected by overall pattern of generated particles.

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Sharpening/Blurring

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Sharpen amountThe value that is used to control sharpening.

Sharpen radiusDefines the sharpness radius.

Blur radiusDefines the radius of blur.

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Denoising

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Denoise amountThe main value that is used to control denoising. It blends between the original (noisy) image and the fully denoised version of the image, where 0 is the original image and 1 is the purely denoised version.

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Stats Tab

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Times

Scene parsing – How long it took to get the data from the native application format to the internal Corona format. Excessive times (more than a few seconds or tens of seconds for complex scenes) can be caused by running out of RAM, using slow network drives, complex scatters and geometry models, etc.

Geometry How long it took Corona to prepare the geometry for rendering. This includes computing displacement, building, and acceleration structure, and preparing the lights for sampling. Excessive times (more than a few seconds or tens of seconds for complex scenes) are most often caused by using too detailed displacement, using too detailed displacement, using too many textured lights, or running out of memory.

UHD cache precomp How long it took to calculate UHD cache. The time depends on resolution, scene complexity, and UHD cache settings ( animation preset calculates significantly longer, but it does not flicker in animation).

Rendering Total elapsed rendering time.

Denoising How long the denoising took. Denoising is optionally computed after rendering. Its running time is dependent only on resolution (number of pixels) and the number of render elements to be denoised - it has to run from scratch for each element.

Estimated remaining If any render limit is set (time, passes, or noise level), Corona computes the best possible time estimate. If no limits are set, '—' is shown and the user has to stop the render manually.

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Stats Tab

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Times

Scene parsing – How long it took to get the data from the native application format to the internal Corona format. Excessive times (more than a few seconds or tens of seconds for complex scenes) can be caused by running out of RAM, using slow network drives, complex scatters and geometry models, etc.

Geometry How long it took Corona to prepare the geometry for rendering. This includes computing displacement, building, and acceleration structure, and preparing the lights for sampling. Excessive times (more than a few seconds or tens of seconds for complex scenes) are most often caused by using too detailed displacement, using too detailed displacement, using too many textured lights, or running out of memory.

UHD cache precomp How long it took to calculate UHD cache. The time depends on resolution, scene complexity, and UHD cache settings ( animation preset calculates significantly longer, but it does not flicker in animation).

Rendering Total elapsed rendering time.

Denoising How long the denoising took. Denoising is optionally computed after rendering. Its running time is dependent only on resolution (number of pixels) and the number of render elements to be denoised - it has to run from scratch for each element.

Estimated remaining If any render limit is set (time, passes, or noise level), Corona computes the best possible time estimate. If no limits are set, '—' is shown and the user has to stop the render manually.

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The real remaining render time can differ and this estimate is frequently updated.

TOTAL elapsed the total elapsed rendering time.

Scene

Primitives unique Numbers of unique (non-instanced) primitives in the scene. Primitive means a single triangle, hair strand, etc. Each such primitive is stored in the memory, so this number is directly proportional to the RAM usage (1 primitive takes up about 200 Bytes).

Primitives displac. The number of unique (non-instanced) micro triangles created by displacement in the scene. Each such object takes a certain amount of memory but is generally an order of magnitude smaller than regular triangles.

Primitives inst. The number of primitives in the scene after instancing allows storing a single object in the memory just once and placing it into the scene multiple times with almost no additional memory usage. This is extremely useful e.g. for forests, grass, etc.

Geometry groups The number of unique geometry groups in the scene. One geometry group roughly corresponds to one separate mesh/object in the source scene, not counting instanced meshes. This number does not significantly influence the performance/memory usage, with a single exception; high values (thousands and more) can slow down the preprocessing phase.

Instances Number of geometry groups in the scene after instancing is applied. Each instance takes about 1000 Bytes of memory.

Lights (groups) – The first value is the total number of light-emitting primitives in the scene and the second value is the number of instances that contain these primitives. High values usually mean a scene with complex illumination, where slower rendering is to be expected. Only true light emission counts - neither self-illumination nor Light material with Emit light off.

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Instancing is disabled for the light-emitting primitives, so applying Light Material to a heavily instanced geometry (such as a forest) can cause a surprising increase in the preprocessing time and memory usage.

UHD Cache

Records Numbers of discrete points in the scene for which the illumination is computed during preprocessing and which are used for the interpolation during rendering. Complex scenes and animations, where higher precision is required, cause this number to increase, which in turn makes the precalculation slower.

Success rate The percentage of rays that were accelerated using the cache. This is the effectiveness of the cache, e.g. 70% meaning that 7 out of each 10 rays were accelerated. The higher this number, the faster is the rendering as more rays are accelerated.

Performance

Passes total – The total number of passes computed. One pass in Corona means that each pixel received on average 1 sample. The number of passes directly influences the quality of antialiasing, the depth of field, and the motion blur effects. Smaller images accumulate passes faster there are fewer pixels to process. Also if Rays/sample is too high then too much work is spent per pixel, causing the number of passes to stay low, which slows down the antialiasing/depth of field/motion blur computation. A limit for the number of passes can be set in render settings.

The real remaining render time can differ and this estimate is frequently updated.

TOTAL elapsed the total elapsed rendering time.

Scene

Primitives unique Numbers of unique (non-instanced) primitives in the scene. Primitive means a single triangle, hair strand, etc. Each such primitive is stored in the memory, so this number is directly proportional to the RAM usage (1 primitive takes up about 200 Bytes).

Primitives displac. The number of unique (non-instanced) micro triangles created by displacement in the scene. Each such object takes a certain amount of memory but is generally an order of magnitude smaller than regular triangles.

Primitives inst. The number of primitives in the scene after instancing allows storing a single object in the memory just once and placing it into the scene multiple times with almost no additional memory usage. This is extremely useful e.g. for forests, grass, etc.

Geometry groups The number of unique geometry groups in the scene. One geometry group roughly corresponds to one separate mesh/object in the source scene, not counting instanced meshes. This number does not significantly influence the performance/memory usage, with a single exception; high values (thousands and more) can slow down the preprocessing phase.

Instances Number of geometry groups in the scene after instancing is applied. Each instance takes about 1000 Bytes of memory.

Lights (groups) – The first value is the total number of light-emitting primitives in the scene and the second value is the number of instances that contain these primitives. High values usually mean a scene with complex illumination, where slower rendering is to be expected. Only true light emission counts - neither self-illumination nor Light material with Emit light offNoise level – An estimate of the remaining noise level in the image. A limit for the noise level can be set in render settings, around 2% usually being enough for the final images, 5% for the final images with denoising, and anything higher than that being suitable for the previews.

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Unlike the number of passes that increases linearly in time, the noise level decreases nonlinearly: the necessary time to halve the error (for example from 10% to 5%) is 4 times longer.

Rays total – The average number of rays computed per second since the render started. Rays/s is a measure of the brute force computation power of the renderer. Comparing rays/s between different machines is a good way to compare their CPU performance. The number is also higher in simple scenes when using simple materials. A too low number (lower than usual for the machine) can mean problems with CPU overheating, running out of RAM, other CPU utilization problems, or just having too complex materials/shaders.

Rays actual – Number of rays computed in the last second. Rays/s is a measure of the brute force computation power of the renderer. Comparing rays/s between different machines is a good way to compare their CPU performance. The number is also higher in simple scenes when using simple materials. A too low number (lower than usual for the machine) can mean problems with CPU overheating, running out of RAM, other CPU utilization problems, or just having too complex materials/shaders.

Samples actual – Number of pixel samples computed in the last second. This is the rate of how fast the anti-aliasing, depth of field, and motion blur are computed. This number is the rays/s statistic divided by rays/sample.

Rays/sample How many rays are needed to compute a one-pixel sample. This is the measure of the shading complexity of the scene, with high numbers meaning that a lot of work needs to be done to compute each pixel. This can be caused by using too complex shaders (with ambient occlusion and rounded edges), materials having too high albedo, or using too high GI vs. AA balance.

VFB refresh time How long the VFB window takes to redraw last time.

Preview denoiser time How long it took to denoise the VFB image.

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History Tab

Instancing is disabled for the light-emitting primitives, so applying Light Material to a heavily instanced geometry (such as a forest) can cause a surprising increase in the preprocessing time and memory usage.

UHD Cache

Records Numbers of discrete points in the scene for which the illumination is computed during preprocessing and which are used for the interpolation during rendering. Complex scenes and animations, where higher precision is required, cause this number to increase, which in turn makes the precalculation slower.

Success rate The percentage of rays that were accelerated using the cache. This is the effectiveness of the cache, e.g. 70% meaning that 7 out of each 10 rays were accelerated. The higher this number, the faster is the rendering as more rays are accelerated.

Performance

Passes total – The total number of passes computed. One pass in Corona means that each pixel received on average 1 sample. The number of passes directly influences the quality of antialiasing, the depth of field, and the motion blur effects. Smaller images accumulate passes faster there are fewer pixels to process. Also if Rays/sample is too high then too much work is spent per pixel, causing the number of passes to stay low, which slows down the antialiasing/depth of field/motion blur computation. A limit for the number of passes can be set in render settings.

Noise level – An estimate of the remaining noise level in the image. A limit for the noise level can be set in render settings, around 2% usually being enough for the final images, 5% for the final images with denoising, and anything higher than that being suitable for the previews.

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Unlike the number of passes that increases linearly in time, the noise level decreases nonlinearly: the necessary time to halve the error (for example from 10% to 5%) is 4 times longer.

Rays total – The average number of rays computed per second since the render started. Rays/s is a measure of the brute force computation power of the renderer. Comparing rays/s between different machines is a good way to compare their CPU performance. The number is also higher in simple scenes when using simple materials. A too low number (lower than usual for the machine) can mean problems with CPU overheating, running out of RAM, other CPU utilization problems, or just having too complex materials/shaders.

Rays actual – Number of rays computed in the last second. Rays/s is a measure of the brute force computation power of the renderer. Comparing rays/s between different machines is a good way to compare their CPU performance. The number is also higher in simple scenes when using simple materials. A too low number (lower than usual for the machine) can mean problems with CPU overheating, running out of RAM, other CPU utilization problems, or just having too complex materials/shaders.

Samples actual – Number of pixel samples computed in the last second. This is the rate of how fast the anti-aliasing, depth of field, and motion blur are computed. This number is the rays/s statistic divided by rays/sample.

Rays/sample How many rays are needed to compute a one-pixel sample. This is the measure of the shading complexity of the scene, with high numbers meaning that a lot of work needs to be done to compute each pixel. This can be caused by using too complex shaders (with ambient occlusion and rounded edges), materials having too high albedo, or using too high GI vs. AA balance.

VFB refresh time How long the VFB window takes to redraw last time.

Preview denoiser time How long it took to denoise the VFB image.

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History Tab

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In VFB 2, it is possible to compare images with different resolutions or aspect ratios.

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VFB 2 provides two options to open CXR files: by using the history tab or through the drag-and-drop feature.

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ButtonDescription

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Stores content of the current VFB into the history.

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Loads content of selected CXR file in the history.

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Disables the history comparison and shows only the current render.

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Shows currently rendered image.

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Removes all items from the history and optionally from HDD.


Show with the original postprocessing – Determines which postprocessing is used when comparing images: the one used when the original image was saved or the one currently used in the VFB Post tab.

ButtonDescription

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Show and Edit this image.

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Save current render element.

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Resume rendering of the current scene using this history item as starting point.

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Clear this item from history, but do not delete it from file system.

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Delete this item from history, and also from the file system.

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Uploads this item to Chaos Cloud.
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DR Tab

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The DR Tab provides information onCorona Distributed Rendering.

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Please note that the example image is for illustration purpose only and may not be an exact representation of the values you see.

Desktop – Resolved name of the render node.

UpdatesDisplays the count of how many times the render node has sent the rendered data to the master machine.

Passes – Displays the current number of passes render node has rendered.

Rendering – Shows the current stage of the rendering (Starting, Rendering, or Finished)

21.8 GB / 63.7 GB – Committed/Physical RAM installed in the

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Show with the original postprocessing – Determines which postprocessing is used when comparing images. If the original one is used, otherwise the one from the current rendering is used.

Delete this item from history, and also from the file

system.

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In VFB 2, it is possible to compare images with different resolutions or aspect ratios.

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VFB 2 provides two options to open CXR files: by using the history tab or through the drag-and-drop feature.

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ButtonDescription

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Stores content of the current VFB into the history.

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Loads content of selected CXR file in the history.

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Disables the history comparison and shows only the current render.

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Shows currently rendered image.

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Removes all items from the history and optionally from HDD.
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Show and Edit this image.

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Save current render element.

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Resume in rendering of current scene using this item as starting point.

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Clear this item from history, but do not delete it from file system.

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LightMix

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The LightMix tab is enabled as soon as at least one LightSelect and one LightMix render element are added to the scene. For more information, see: Corona LightMixThe DR Tab provides information onCorona Distributed Rendering.

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Please note that the example image is for illustration purpose only and may not be an exact representation of the values you see.

Desktop – Resolved name of the render node.

Updates–Displays the count of how many times the render node has sent the rendered data to the master machine.Passes– Displays the current number of passes render node has rendered.

Rendering – Shows the current stage of the rendering (Starting, Rendering, or Finished)

21.8 GB / 63.7 GB – Committed/Physical RAM installed in the system.

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LightMix

With the new VFB 2.0, it is possible to create and manage multiple LightMix setups within a single render by manually adding multiple LightMix render elements.

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Bake currently set light mix colors/intensities into the scene lights.

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Save settings of the current displayed light mix element to a config file.

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Load light mix settings from a config file to the currently displayed light mix element.

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Enables all entries if some are disabled or disables all if all are currently enabled.

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Set all intensities to 1.

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Set all colors to white.


Additional Tips:

  • LightMix colors can be copied by dragging and dropping a color swatch onto another swatch.

  • LightMix colors can be reset to pure white by right-clicking on a swatch.

  • You can also right-click on the light names on the LightMix list in the Corona VFB to select a specific light in the scene, add that light to the current selection, or remove that light from the current selection.


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Collab Tab

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Starting from Corona 12 Update 1 Collaboration features from Chaos Cloud are supported in Corona for 3ds Max. With the Collaboration tools, you can easily share drafts and final renders with customers and team members. The Collaboration tools from Chaos Cloud also support mark-up discussions, version control, and more, allowing for efficient and seamless project coordination in real-time.

To learn more about how to use Collaboration features from Chaos Cloud please visit this page

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The LightMix tab is enabled as soon as at least one LightSelect and one LightMix render element are added to the scene. For more information, see: Corona LightMix.

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With the new VFB 2.0, it is possible to create and manage multiple LightMix setups within a single render by using multiple LightMix elements.

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Bake currently set light mix colors/intensities into the scene lights.

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Save settings of the current displayed light mix element to a config file.

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Load light mix settings from a config file to the currently displayed light mix element.

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Enables all entries if some are disabled or disables all if all are currently enabled.

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Set all intensities to 1.

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